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Writing combat seems to emanate from a human tendency to denounce and stigmatize a particular society, such as an individual, a system, and to destroy the designated enemy. Its manifestations in time glory of Greek and Roman civilizations testify, in countries that are close to us, a tradition to criticize what does not meet its own criteria, and participate in social, cultural and policy a group or a country (brochure printing that is eco friendly).
Thus Aristophanes, with its portraits of gods fearful, greedy and brutal, with the most violent against Athens and its people ridicule; and the cynical philosopher Menippus of Gadara (third century BC. BC), whose attacks against Roman society inspired the Menippean Satires of Varro Latin and denunciation, in many works of Lucian, the hardness of rich and the poor jealousy.
Pamphlet begins to restore the true meaning of words, which have been stripped. The author seeks to shatter the obvious (hence the lack of shade); For this, he uses a maximalist and hyperbolise speech. Thus, it poses a catastrophic vision of world announcing the death of something (an idea, a value …). Despite arguments or evidence, the research pamphleteer immediate action.
Pamphlet is intended to encourage the reader to act on the growing indignation to world as it seems. Differences with controversy and satire. The controversy engages a debate and assumes a flawed opponent speech. A pamphlet is more direct. The satire is based on a rhetoric of contempt and trying to make people laugh; not the intention pamphlet, the tone is serious. The satire will attach to a fact in magnifying the error to show the gulf with reality. Pamphlet focuses on a more general framework, not holding to a specific proof, he says what is and what to fight.
In his “Anthology of Liberation pamphlet to Today” (August-September 1973), Crapouillot “magazine maverick” according to its own definition, is concerned about the future of genre pamphleteer. The newspaper confirms this ten years later in a new anthology of magazine: “Writing is increasingly sanitized, the feathers soak in more dust and less in vitriol. “Victor Hugo.
The twenty-first century, Sebastien Nadot offers its 2.0 PAMPHLET renewed genre where it is as much fun of a civilization that is lost in new technologies it has given birth to criticize a political system that has democratic in name only. The name comes from the title of elegiac comedy imprint of medieval Latin Ovid, which experienced great success and spread across Europe in twelfth century literature; the work was known under a unique title. The wide success of Pamphilus probably explains how the name of a character from a very popular both in past to indicate a class of texts designed for the widest possible audience. Every single pamphlet has some recurring characteristics, arising from the specific codification of genre.
At the end of reign of Louis XVI, insulting or obscene denominated multiply. The kick-off is given by Mirabeau, in May 1789, with the Journal of States General, followed by many leaves that rival violence. The pinnacle is reached with Father Duchesne Hebert: it intersects its calls massacre bugger. Success is the appointment of virulence, as some prodigious numbers reach the figure of 600,000 copies sold.
Pamphleteer practice seems to go back to first manifestations of writing, as Pierre Dominique points out in foreword of his book polemicists since 1789: What better starting point for a historical view that the speeches of Demosthenes sought to galvanize his compatriots to engage in combat against Philip of Macedon? The Philippics have such an impact that Latin writer Cicero Fourteen gather his speeches against Mark Antony under this name as a tribute .
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